
As much as Brad is the guy next door, a funny, fishing, easygoing sort, his prodigious talent, likeable personality, and strong work ethic have conspired to make him one of the genre’s brightest lights. He is known for bridging the gap between young audiences and country’s roots, uniting generations with the sheer joyful exuberance of his music, stage presence, and videos. With American Saturday Night, he offers what he says is “a record about our times. This is a record about my life and the times I’m living in and the times that my children are living in, and the love and loss and heartbreak and triumphs and everything in between.”
USA SPOTLIGHT REVIEW
…Paisley’s true strength is his ability to marvel at everyday things — pop culture (American Saturday Night), technology (Welcome to the Future), fatherhood (Anything Like Me) or the many uses of water (Water) — and to make others share his fascination. Throw in a handful of extraordinary guitar licks, and there’s a lot worth marveling over.
— Brian Mansfield
…Paisley’s true strength is his ability to marvel at everyday things — pop culture (American Saturday Night), technology (Welcome to the Future), fatherhood (Anything Like Me) or the many uses of water (Water) — and to make others share his fascination. Throw in a handful of extraordinary guitar licks, and there’s a lot worth marveling over.
— Brian Mansfield
WASHINGTON POST Review
Paisley is no one-hat wonder. As versatile an artist as Nashville has produced in years, the honey-drawling singer is equally adept at humorous, twangy rave-ups (“Catch All the Fish”) and honky-tonk putdowns (“The Pants”) as he is with sentimental storytelling (“No,” “Anything Like Me”). But nowhere does he sound better — or sadder — than on classic country weepers. “Oh Yeah, You’re Gone” could be about a lover who has simply left, or one who passed away
– Joe Heim
Paisley is no one-hat wonder. As versatile an artist as Nashville has produced in years, the honey-drawling singer is equally adept at humorous, twangy rave-ups (“Catch All the Fish”) and honky-tonk putdowns (“The Pants”) as he is with sentimental storytelling (“No,” “Anything Like Me”). But nowhere does he sound better — or sadder — than on classic country weepers. “Oh Yeah, You’re Gone” could be about a lover who has simply left, or one who passed away
– Joe Heim
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